The first pictures
I can recall taking were clicked off on a battered Instamatic
sometime early in Junior High, when my class went on a field trip to
Washington, DC (my first parent-less trip of more than a few blocks).
I shot something like a half-dozen rolls of film, as this was well
before the age of digital photography and taking pictures with your
smartphone. In fact, it was so far back in time that phones mostly
rode the short bus and actually had to be plugged into actual phone
lines found in the walls of our homes. We didn't have flying cars or
jet packs yet, either.
I took photography
classes all through Junior and High School. Eventually, my mom, who
was also an avid camera-clicker, installed a darkroom in the upstairs
hall closet of our house. This made it hard to find winter coats but
easy to knock out a couple of prints after school; well, easy if we
didn't pass out from chemical fumes in the small, unventilated space.
In college, I was
in the photography lab darkroom sometimes for nine hours a day,
perfecting prints, getting a series of shots ready for the
photography classes that I had enrolled in so I could use the
darkroom, or passing out from chemical fumes in the small,
unventilated space. By that time, the passing out part had become a
habit.
Outside the
darkroom, I managed to win most of the photography competitions I
entered. Sometimes I got first place, sometimes second, depending on
whether my mother had entered the contest, too. It was a rare day
when I could best my mother's eye for framing a shot or choosing just
the right subject, light, and angle. Between us, we accumulated a box
full of the point-and-shoot pocket cameras that were the usual prizes
for these things -- which, now that I think about it, is kind of odd,
since wouldn't most photographers entering a contest already, by
definition, own a camera or ten? And wouldn't they want something
slightly more upscale than a point-and-shoot, in any case?
Oh well. Ironic.
Also ironic was
that I have never seen myself as a photographer. Photography has
always been a hobby, something I like to do. In part, this is because
I have always had a horrible memory. Photos help me to recall the
things I've done, the people I've seen, and the places I've been. But
also in part because I enjoyed the feeling of capturing a moment, a
striking visual image, a clarification of existence that otherwise
might be ephemeral and lost.
No, what I wanted
to be when I grew up wasn't a photographer, but a writer. I wanted my
stories to fascinate, enthrall, entertain, compel, and do a bunch of
other verb-y things, too. I wanted to make sense of the world on the
page. Any photography I did along the way was, as far as I was
concerned, just to remind me of things I wanted to write about and/or
provide a few pictures to go along with my non-fiction pieces (like,
y'know, this one. Hmm, better throw in a picture).
My viewpoint has
changed recently. My girlfriend is an artist -- a painter -- and had
been showing her work at a local gallery for a few months when it
occurred to me that I ought to stop saying things like, "Y'know,
I really outta do something with my photography," (yes, that's
how most English majors talk, or so I choose to believe) and
actually, well, do something with my photography.
Sifting through
thirty years of photographic accumulation was not the easiest thing
to do on a weekend, but I managed to pick a few shots I liked, get
them printed up, framed, and then actually accepted for display at
the same gallery.
The experience of
showing my art was, I'll admit, thrilling. I enjoyed meeting the
people who came to the gallery for our downtown's once-a-month Art
Walk; I enjoyed talking with the other artists; and I enjoyed showing
my work to an appreciative audience.
Even more, I
enjoyed selling it to them.
Yup, sold my very
first piece of 'artsy' photography.
So now my
photography has reached the same level of profitability as my
writing. Which one of these pursuits will win in the end? Shall we
say 'Only time will tell'?
No, let's call it
a tie.
--
The author is
happy to be back writing essays after an absence of several months. You can follow him on
Twitter @parablehead or Facebook @C. Patrick's Motley. This website is now a mirror and archive of goblinbrook.wordpress.com. A new
display of his photography will be showing at Canvas in Springfield,
MO in October.
[photo caption: the author with his first photographic art sale]